Arranging is a key compositional skill, one I have struggled with for years. Now, however, I have found a way to develop it at my own pace.

In order for your media to be seen online, you need to have tags or keywords. With the constant change in trends, old media still has value.

As composers, we're expected to write new music for commissions but what should we do with old music drafts we dismiss as not good enough?

In the music production industry, it's hard to get your foot in the door. I'd like to tell you about my first projects and how I got them.

In part 3 of this series of blogs about stock music, I talk about my own experience and which libraries have worked well for me.

This week, I'd like to give you a bit of information about PROs or Performance Rights Organisations and why it might be a good idea to join.

For four years now, I've been writing music for stock libraries. I'd like to share with you what I've learned about the industry.

I decided to look through my compositions to discover what patterns are in my writing style and whether these have developed over time.

I've come across many music producing studio setups that look absolutely amazing. In comparison, mine is quite small. Here's a little...